- A. Narasimhavarma II
- B. Nandivarma II
- C. Dantivarman
- D. Parameshvaravarma
(b) Nandivarma II
(b) Nandivarma II
- A. Mattavilasa
- B. Vichitra Chitta
- C. Gunabara
- D. all the three
(d) all the three
(d) all the three
- A. Aihole
- B. Saranath
- C. Sanchi
- D. Junagath
(a) Aihole
(a) Aihole
- A. Statement I is wrong
- B. Statement II is wrong
- C. Both the statements are correct
- D. Both the statements are wrong.
(c) Both the statements are correct
(c) Both the statements are correct
- A. I only
- B. II only
- C. Both I and II
- D. Neither I nor II
(c) Both I and II
(c) Both I and II
- A. 1 only
- B. 2 and 3
- C. 1 and 3
- D. all the three
(d) all the three
(d) all the three
(a) Ellora caves – Rashtrakutas
(b) Mamallapuram – Narasimhavarma I
(c) Elephanta caves – Ashoka
(d) Pattadakal – Chalukyas
(c) Elephanta caves – Ashoka
(a) Ellora caves – Rashtrakutas
(b) Mamallapuram – Narasimhavarma I
(c) Elephanta caves – Ashoka
(d) Pattadakal – Chalukyas
(c) Elephanta caves – Ashoka
- A. Dandin – Dasakumara Charitam
- B. Vatsyaya – Bharathavenba
- C. Bharavi – Kiratarjuneeyam
- D. Amogavarsha – Kavirajamarga
(b) Vatsyaya – Bharathavenba
(b) Vatsyaya – Bharathavenba
- A. Statement I is wrong
- B. Statement II is wrong
- C. Both the statements are correct
- D. Both the statements are wrong.
(b) Statement II is wrong
(b) Statement II is wrong
- A. Statement I is correct
- B. Statement II is correct
- C. Both the statements are wrong
- D. Both the statements are correct.
(c) Both the statements are wrong
(c) Both the statements are wrong
Pulakesin II
Narasimhavarma
Ravikirti
Paranjothi
Kudumianmalai, Thiruamayam
Pulakesin II
Narasimhavarma
Ravikirti
Paranjothi
Kudumianmalai, Thiruamayam
Aprajita
Perundevanar
Vakataka
Govinda III
Aprajita
Perundevanar
Vakataka
Govinda III
True
False
True
False
False
True
False
True
False
False
The three gems of Kannada literature were Pampa, Sri Ponna, and Raima.
The three gems of Kannada literature were Pampa, Sri Ponna, and Raima.
Pallava architecture can be classified as
Rock-cut temples – Mahendravarman style.
Monolithic Rathas and Sculptural Mandapas Mamallan style.
Structural Temples – Rajasimhan style and Nandivarman style.
Pallava architecture can be classified as
Rock-cut temples – Mahendravarman style.
Monolithic Rathas and Sculptural Mandapas Mamallan style.
Structural Temples – Rajasimhan style and Nandivarman style.
Gatika means monastery or Centre of learning.
It was popular during the Pallava times at Kanchi.
It attracted students from all parts of India and abroad.
Vatsyayana who wrote Nyaya Bhashya was a teacher at Kanchi (Gatika). Panchapandavar rathas are monolithic rathas. Explain.
Gatika means monastery or Centre of learning.
It was popular during the Pallava times at Kanchi.
It attracted students from all parts of India and abroad.
Vatsyayana who wrote Nyaya Bhashya was a teacher at Kanchi (Gatika). Panchapandavar rathas are monolithic rathas. Explain.
Under Mamalla style, the five rathas (chariots), popularly called Panchapandavar rathas, signify the different style of temple architecture.
Each ratha has been carved out of a single rock.
So they are called monolithic.
The popular mandapams here are Mahishasuramardhini mandapam, Thirumoorthi mandapam and Varaha mandapam.
Under Mamalla style, the five rathas (chariots), popularly called Panchapandavar rathas, signify the different style of temple architecture.
Each ratha has been carved out of a single rock.
So they are called monolithic.
The popular mandapams here are Mahishasuramardhini mandapam, Thirumoorthi mandapam and Varaha mandapam.
Krishna III was the last able ruler of the Rashtrakuta dynasty,
He defeated the Cholas in the battle of Takkolam (presently in Vellore Dt) and captured Thanjavur.
Krishna III was the last able ruler of the Rashtrakuta dynasty,
He defeated the Cholas in the battle of Takkolam (presently in Vellore Dt) and captured Thanjavur.
Pallava period is known for architectural splendour. In 1984 Mamallapuram was added to the list of UNESCO World Heritage Sites. The illustrious examples of Pallava architecture are the Shore Temple, other temples and the Varaha cave.
Mahendra style : (Rock – cut temples)
Mahendravarma style of cave temples are seen at Mandagapattu, Mahendra vadi, Mamandur, Dalavanur, Trichirapalli, Vallam, Tirukazhukkundram and Siyamangalam.
Mamalla Style : (Monolithic Rathas and Sculptural Mandapas)
The last example for Mamalla style monolithic is Panchapandavar rathas. Mahishasuramardhini mandapam, Thirumoorthi mandapam and Varaha mandapam are the popular mandapams.
The most important is the open art gallery. The fall of the Ganges from the head of Lord Shiva and the Arjun’s penance are notable sculptures.
Rajasimha Style : (Structural Temples)
Rajasimha (Narasimhavarma II) Style was a structural temple. The best example is the Kailasanatha temple at Kanchipuram. This temple is called Rajasimheswaram.
Nandivarma Style : (Structural Temples)
Nandivarma style was the last stage of pallava architecture. The best example is Vaikunda Perumal temple at Kanchipuram.
Pallava period is known for architectural splendour. In 1984 Mamallapuram was added to the list of UNESCO World Heritage Sites. The illustrious examples of Pallava architecture are the Shore Temple, other temples and the Varaha cave.
Mahendra style : (Rock – cut temples)
Mahendravarma style of cave temples are seen at Mandagapattu, Mahendra vadi, Mamandur, Dalavanur, Trichirapalli, Vallam, Tirukazhukkundram and Siyamangalam.
Mamalla Style : (Monolithic Rathas and Sculptural Mandapas)
The last example for Mamalla style monolithic is Panchapandavar rathas. Mahishasuramardhini mandapam, Thirumoorthi mandapam and Varaha mandapam are the popular mandapams.
The most important is the open art gallery. The fall of the Ganges from the head of Lord Shiva and the Arjun’s penance are notable sculptures.
Rajasimha Style : (Structural Temples)
Rajasimha (Narasimhavarma II) Style was a structural temple. The best example is the Kailasanatha temple at Kanchipuram. This temple is called Rajasimheswaram.
Nandivarma Style : (Structural Temples)
Nandivarma style was the last stage of pallava architecture. The best example is Vaikunda Perumal temple at Kanchipuram.
Elephanta island:
Elephanta is an island near Mumbai. It is originally known as Sripuri and the local people called Gharapuri.
The Portuguese named it as Elephanta after seeing the image.
The Trimurthi Siva icon and the images of dwarapalakas are seen in the cave temple.
Kailasanatha temple at Ellora:
Krishna I built the Kailasanatha temple. It was one of the 30 temples carved out at Ellora.
The temple covers an area of over 60,000 sq. feet and vimanam rises to a height of 90 feet.
It portrays typical Dravidian features and has a resemblance to the shore temple at Mamallapuram.
Elephanta island:
Elephanta is an island near Mumbai. It is originally known as Sripuri and the local people called Gharapuri.
The Portuguese named it as Elephanta after seeing the image.
The Trimurthi Siva icon and the images of dwarapalakas are seen in the cave temple.
Kailasanatha temple at Ellora:
Krishna I built the Kailasanatha temple. It was one of the 30 temples carved out at Ellora.
The temple covers an area of over 60,000 sq. feet and vimanam rises to a height of 90 feet.
It portrays typical Dravidian features and has a resemblance to the shore temple at Mamallapuram.
Western Chalukyas of Kalyani:
They were the descendants of Badami Chalukyas ruled from Kalyani (modem day Basavakalyan).
In 973, Tailapa II, a feudatory of the Rashtrakuta mling from the Bijapur region, defeated Parmara of Malwa.
Tailapa II occupied Kalyani and his dynasty quickly grew into an empire under Someswara I.
Someswara I moved the capital from Manyakheta to Kalyani.
For over a century, both the Chalukyas and the Cholas fought many fierce battles to control the fertile region of Vengi.
In the late 11th century, under Vikramaditya VI, vast areas between the Narmada river in the north and Kaveri river in the South came under Chalukya control.
The Kasi Vishwesvara Temple at Lakkundi, the Mallikaijuna temple at Kuruvatti, the Kalleshwara temple at Bagali and the Mahadeva temple at Itagi represent well-known examples of the architecture of Western Chalukyas of Kalyani.
Western Chalukyas of Kalyani:
They were the descendants of Badami Chalukyas ruled from Kalyani (modem day Basavakalyan).
In 973, Tailapa II, a feudatory of the Rashtrakuta mling from the Bijapur region, defeated Parmara of Malwa.
Tailapa II occupied Kalyani and his dynasty quickly grew into an empire under Someswara I.
Someswara I moved the capital from Manyakheta to Kalyani.
For over a century, both the Chalukyas and the Cholas fought many fierce battles to control the fertile region of Vengi.
In the late 11th century, under Vikramaditya VI, vast areas between the Narmada river in the north and Kaveri river in the South came under Chalukya control.
The Kasi Vishwesvara Temple at Lakkundi, the Mallikaijuna temple at Kuruvatti, the Kalleshwara temple at Bagali and the Mahadeva temple at Itagi represent well-known examples of the architecture of Western Chalukyas of Kalyani.
Kailasanatha temple, Vaikunda Perumal temple
Kailasanatha temple, Vaikunda Perumal temple
Vesara
Vesara
Defeat of Harsha Vardhana by Pulakesan II
Defeat of Harsha Vardhana by Pulakesan II
Krishna I
Krishna I
Monolithic
Monolithic
Aihole, Badami, Pattadakal
Aihole, Badami, Pattadakal
Appar, Manikkavasakar. Nammazhvar, Andal
Appar, Manikkavasakar. Nammazhvar, Andal
Dantidurga
Dantidurga
Mamallan, Vatapi kondan
Mamallan, Vatapi kondan
- A. Chalukya
- B. Pallava
- C. Rashtrakuta
- D. Gupta
(a) Chalukya
(a) Chalukya
- A. Chalukyas
- B. Pallavas
- C. Rastrakutadas Vakataka
- D. Cave
(a) Chalukyas
(a) Chalukyas
Chalukyas of Badami
Chalukyas of Vengi (Eastern chalukyas)
Chalukyas of Kalyani (Western chalukyas)
Chalukyas of Badami
Chalukyas of Vengi (Eastern chalukyas)
Chalukyas of Kalyani (Western chalukyas)